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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Jacki Weaver
Jacki Weaver
Jacki Weaver

Jacki Weaver, 2018

John Tsiavis
Portrait, inkjet print on paper

Commissioned with funds provided by Marilyn Darling AC 2018

Jacki Weaver

Jacki Weaver, 2018

by John Tsiavis
General content

Commissioned with funds provided by Marilyn Darling AC 2018

Tim Burstall, Andamooka (filming of the Last of the Knucklemen)
Tim Burstall, Andamooka (filming of the Last of the Knucklemen)
Tim Burstall, Andamooka (filming of the Last of the Knucklemen)

Tim Burstall, Andamooka (filming of the Last of the Knucklemen), c. 1979

Rennie Ellis
Portrait, type C photograph on paper

Collection: National Portrait Gallery
Purchased 2006

Margaret Fink
Margaret Fink
Margaret Fink

Margaret Fink, 1975

Lewis Morley
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program

Belinda Giblin
Belinda Giblin
Belinda Giblin

Belinda Giblin, n.d.

Stuart Campbell
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Gift of the Estate of Stuart Campbell 2012

Sue Walker
Sue Walker
Sue Walker

Sue Walker, 1977

Lewis Morley
Portrait, gelatin silver photograph on paper

Gift of the artist 2003. Donated through the Australian Government's Cultural Gifts Program.

The Bamugura, 2022 Charlie Bliss

The Bamugura

Charlie Bliss
Image
Jessica Mauboy

National Portrait Gallery unveils twenty new portrait commissions to celebrate twenty years

18 October 2018
Archived media releases 2018

The National Portrait Gallery has unveiled twenty new portrait commissions of Australian leaders and individualists as part of its twentieth birthday celebrations in a new exhibition, 20/20: Celebrating twenty years with twenty new portrait commissions.

Self Portrait, Stuart Campbell by Stuart Campbell

The essence of you

Magazine article by Lee Tulloch, 2011

Lee Tulloch remembers her great friend NIDA-trained actor turned photographer Stuart Campbell.

Lee Lin Chin

Icons

Parliament House
Touring exhibition, 2019

When a portrait communicates determination and individuality as boldly as these do, it has the potential to become an iconic image. For the Gallery’s 20th birthday this display brings together a group contemporary photographic portraits of inspiring women and men.

Ngayulu Minyma Tjanpinya, I am a Tjanpi Woman
Ngayulu Minyma Tjanpinya, I am a Tjanpi Woman
Ngayulu Minyma Tjanpinya, I am a Tjanpi Woman

Ngayulu Minyma Tjanpinya, I am a Tjanpi Woman, 2018

Tjunkaya Tapaya OAM, Tjanpi Desert Weavers
Portrait, Tjanpi (dry grass), acrylic wool, raffia, wire

Purchased 2022

Bryan Brown
Bryan Brown
Bryan Brown

Bryan Brown, 2008

Adam Knott
Portrait, inkjet print on paper

Collection: National Portrait Gallery
Purchased 2013

Wainburranga (Paddy Fordham)

Big shots

Magazine article by Djon Mundine OAM, 2017

Djon Mundine OAM brings poignant memory and context to Martin van der Wal’s 1986 portrait photographs of storied Aboriginal artists.

Jacki Weaver

Flash mob

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow trains her exacting lens on the nine photographs from 20/20.

James, Rebecca and Sam Mapu

Time and light

In Gallery Seven
Previous exhibition, 2023

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

20/20 launch speech

About Face article

Dr Helen Nugent AO, Chairman, National Portrait Gallery at the opening of 20/20: Celebrating twenty years with twenty new portrait commissions.

Ruby (left view), 2022 Shea Kirk

National Photographic Portrait Prize 2023

Previous exhibition, 2023

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Marilyn Ball, Albatross, 2018 (detail) by Linde Ivimey

So Fine

17 May 2018
Archived media releases 2018

The National Portrait Gallery is pleased to announce its winter exhibition is So Fine: Contemporary women artists make Australian history. It will open to the public from 29 June 2018.

‘Untitled’ - Yellow Kangaroo Paw, 2008 by Christian Thompson

The 'I' in Indigenous art

Magazine article by Jane Raffan, 2013

Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.

Marilyn Ball, Albatross, 2018 (detail) by Linde Ivimey

So Fine

28 June 2018
Archived media releases 2018

Ten women artists explore the possibilities of portraiture as a contemporary art form; and reinterpret and reimagine Australian history in the Portrait Gallery’s new exhibition So Fine: Contemporary women artists make Australian history.

Yanyangkari Roma Butler and Yangi Yangi Fox from Irrunyju (Wingellina), Western Australia, 2017 Rhett Hammerton

Weaving identity

Magazine article by Rebecca Ray, 2022

Rebecca Ray explores the way identity, belonging and connectedness are translated through materiality in First Nations portraiture.

Self portrait, 1786 by John Kay

Alternative virtue

Magazine article by Joanna Gilmour, 2015

Joanna Gilmour presents John Kay’s portraits of a more infamous side of Edinburgh.

image not online

Forum participants

General content

Biographies of participants in the Writing lives, revealing lives forum.

Self Portrait, 1963–64

What price self?

Magazine article by Jane Raffan, 2013

Jane Raffan investigates auction sales of self portraits nationally and internationally.

Untitled #21/09 (after Ricci, 1700; featuring Matthew Mitcham)

Getting bare

Magazine article by Penelope Grist, 2015

How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency